Thursday, October 6, 2016

The Irish Film Board (Ana Guevara)

The Irish Film Board is the national film agency and major film funding body, that originally ran from 1980 to 1987 and during this period they produced Eat the Peach, a comedy film from 1986, also Anne Devlin, a drama film from 1984, and Angel, also a drama film from 1982. After its closure the success of several externally funded Irish films motivated local lobbyists to push for its re-establishment, and it worked because in 1993 it was re-done.

Their aim is to help filmmakers to make Irish films, and provide production and development loans for features, television shows, animation projects, documentaries and short films.
Its role is the national development agency for Irish filmmaking and the Irish film, television and animation industry, investing in talent, creativity and enterprise. The agency supports writers, directors and production companies across these sectors by providing investment loans for the development, production and distribution of film, television and animation projects. The IFB is a key investor in the film and television content production industry which sits at the heart of this new Creative Knowledge Economy and therefore represents an important value proposition for Ireland.
The Irish Film Board is under the aegis of Department of Arts, Heritage and the Gaeltacht. The annual budget for the IFB is decided by Dáil Éireann and had a total capital budget of €14.03 million in 2015. The IFB provides funding for the development, production and distribution of Irish feature films, documentaries and short films. The IFB supports and promotes the Irish screen industries at major international markets and festivals, inward investment, the use of Ireland as a location for international production and provides support for companies filming location in Ireland. The agency provides a strategic vision for industry training through Screen Training Ireland. They also with this budget help to promote individual films but when it come to Irish writers, directors, producers and crew, they are represented by individual guilds which aim to support the interests of each group. The Irish film industry as a whole, and Ireland as a film location.


From 1993 to 2004 the Broad supported an indigenous industry which produced over 100 feature films many of which gained much success both critically and commercially. Irish film talent was recognized internationally and industry collaboration of Irish producers, writers and directors were well underway producing such work as Ailsa from 1993, I Went Down from 1997, About Adam from 1999, Disco Pigs from 2000, Intermission from 2003, Man About Dog from 2004, Breakfast on Pluto from 2005, His & Hers from 2009, The Guard from 2011, The Lobster from 2015, Brooklyn from 2015, Room from 2015, among others. Notable Irish box office successes for Irish film include Intermission which grossed over €2 million at Irish box office in 2003, Man About Dog which in 2004 grossed over €2.5 million at the Irish box office, The Guard which grossed over €18 million at the international box office and Brooklyn which has earned over €2 million at the Irish box office and €11 million at the US box office as of December 2015.
Ireland was innovative in introducing a film production tax incentive making Ireland more competitive for film production than its international competitors. As a result of the high levels of incoming production into Ireland, the craft and skills base of Irish crews improved exponentially, and was then also available to work on Irish films. Major international films shot in Ireland during this period include Braveheart from 1997 and Reign of Fire.
In recent years Ireland has become the base for a number of high-end international TV dramas including The Tudors (2007-2010), Ripper Street (2012 – today), Vikings (2013 – today) and Penny Dreadful (2014 – today).
 The Irish film industry has grown hugely over the last decade and the industry is now achieving a huge amount of filmmaking talent to match the kind of influence, disproportionate to its small size, that it has always enjoyed in the fields of literature and theatre.
The audio visual content production sector in Ireland itself is estimated to be worth over €550 million and employs over 6,000 individuals, with over 560 small and medium enterprises operating in the sector and this is before the added value that the industry can bring to the tourist industry.
Irish films have received much international attention in recent years with Irish films winning almost every major international award and Irish talent have also been recognized the world over with cast and crew picking up accolades at some of the most prestigious international award ceremonies and festivals such as the Golden Globes, the Emmys, the BAFTAs, Tribeca Film Festival, among other awards.

Ireland is an excellent co-producing partner for European and international productions with a wide range of financial incentives for film and television, excellent facilities, stunning locations and award winning cast and crew on offer.

References:

https://en.wikipedia.org/wiki/Irish_Film_Board
https://en.wikipedia.org/wiki/Cinema_of_Ireland
http://www.ifi.ie/about/history/
http://www.irishfilmboard.ie

Kodak: Pioneer of film and digital photography by Camila Ávila



"Light makes photography. Embrace light. Admire it. Love it. But above all, know light. Know it for all you are worth, and you will know the key to photography."

- George Eastman

 We all think that the only existent colour technology in history is Technicolor, the true is there are some companies that also developed this kind of technology applying it in photography and films. This time, I’ll illustrate the corporate history of Kodak emphasizing in its most important creations and its develop of the colour technology.



Let’s start for the beginning, The Eastman Dry Plate and Film Company was founded by George Eastman in 1881 as a partnership with Henry A Strong (a family friend and buggy/whip manufacturer). Trying to pursue the goal to make photography “as convenient as the pencil”.



1885 EASTMAN American Film was introduced, the first transparent photographic “film” as we know it today.

1888 The name “Kodak” was born and the Kodak camera was placed in the market with the slogan, “you press the button, we do the rest”. George Eastman put the first simple camera into the hands of a world of costumers, introducing the snapshot photography.


1889 The first commercial transparent roll film, was put on the market. The availability of this flexible film made possible the development of Thomas Edison’s motion picture camera 1891, characterizing it as a pioneer in Motion Pictures.

1892 The company became Eastman Kodak Company of New York.



1896 The first film especially coated for motion picture use was marketed.

1898 The Folding Pocket KODAK Camera is launched, now considered the ancestor off al modern roll-film cameras. It produced a 2 1/4 by 3 1/4-inch negative, which remained the standard size for decades.

1900 The first of the famous BROWNIE Camera was introduced. It cost 1 dollar and used film that was sold for 15 vents a roll. For the first time, the hobby of photography was available for everyone.



1902 Improving the develop of photography, The KODAK Developing Machine was launch, and made it possible for amateurs to process their own film without a darkroom.

1903 KODAK Non-Curling Film, which would remain the standard for amateur photography for nearly 30 years, was introduced.

1908 The world’s first commercially practical safety film is produced, using cellulose acetate base, instead of the flammable cellulose nitrate base.

1913 The introduction of EASTMAN Portrait Film began a transition to the use of sheet film instead of glass plates for professional photographers.

1917 Kodak developed aerial cameras and trained aerial photographers for the U.S. Signal Corps during World War I. Eastman also offered the U.S. Navy supplies of cellulose acetate for coating airplane wings and producing unbreakable lenses for gas masks.

1923 Kodak made amateur motion pictures practical with the introduction of 16 mm reversal film on cellulose acetate (safety) base, the first 16 mm CINE-KODAK Motion Picture Camera, and the KODASCOPE Projector. The immediate popularity of 16 mm movies resulted in a network of Kodak processing laboratories throughout the world.

1926 Kodak launches its panchromatic film in black and white, allowing a scale far greater than the current colors.

1927 Kodak acquired the film production company “Glanzfilm AG” in Berlin and at the end of 1931 Dr. august Nagel’s camera in Stuttgart. The cameras produced there, now under the regency of Kodak, had added the words “Dr. Nagel-Stuttgart Werk”.

NOW, HOLD ON TO YOUR SEATS, BECAUSE HERE COMES COLOR!!

1928 Motion pictures in color became a reality for amateur cinematographers with the introduction of 16 mm KODACOLOR Film, which was associated with an early additive color motion process. “The process used a special panchromatic black-and-white film stock used with the emulsion away from the lens. The film base in front of the emulsion was embossed with a mass of tiny lenses, the purpose of which was to form small images of a striped filter which was attached to the camera lens. The filter had three colored stripes (red, green and blue-violet); when an exposure was made the varying proportion of each color reflected from the subject passed through the filter and was recorded on the film beneath each of the embossed lenses as areas of strips in groups of three, each strip varying in density according to the received color value (Dufaycolor used similar principles, but had the filter as part of the film itself). The original KODACOLOR film required an exposure of about a 1/30 second at f/1.9 in bright sunlight representing a film 'speed' (sensitivity) in modern terms of about 0.5 ISO. The physical movement of the film through the gate (frame-advance) requires additional time. The later SUPER SENSITIVE KODACOLOR could be used "outdoors in any good photographic light, and even indoors under favorable conditions.””
Lenticular Kodacolor was phased out after the introduction of 16 mm Kodachrome film in 1935, that we’ll see later.



1929 Kodak marketed its first film designed for making then-new “sound” motion pictures.

1932 The first 8 mm amateur motion picture film, cameras and projectors were introduced. This year, George Eastman died, leaving his entire residual estate to the University of Rochester.

1933 Kodak and Western Electric jointly commercialized high-speed industrial photography with a high-speed camera, synchronized with an electric timer.

1934 Kodak A.G. (Germany) introduced the first of its 35 mm precision KODAK RETINA Cameras.

1935 Leopold Mannes and Leopold Godowsky developed the KODACHROME Film, a color reversal stock for movie and slide film, that became the first commercially successful amateur color film. It was initially offered in 16 mm format for motion pictures; 35 mm slides and 8 mm home movies followed in 1936. It’s projection method was Subtractive (3 color).



1941 Kodak marketed the versatile KODAK EKTRA Camera, with a shutter-speed range from 1/1000 to 1 second. ♦ Airgraph, or "V-Mail," was developed by Kodak as a system for microfilming letters to conserve shipping space during World War II.

1942 KODACOLOR Film for prints, the world's first true color negative film, was announced.

1946 Kodak marketed KODAK EKTACHROME Transparency Sheet Film, the company's first color film that photographers could process themselves using newly marketed chemical kits.

1950 One unique form of publicity, was the long-running series of KODAK COLORAMA Display transparencies. Overlooking the main terminal floor of Grand Central Station in New York City, the 18-foot-high by 60-foot-wide displays were viewed by an estimated 650,000 commuters and tourists every business day until the exhibit was closed as part of Grand Central’s restoration in 1989.

1954 KODAK TRI-X Film, a high-speed black-and-white film, was introduced. Kodak Brasileira began operating a sensitizing plant in Sao Paulo, Brazil.

1955 Kodak began selling color films without the cost of processing included, as the result of a consent decree signed in 1954. The long-term result was the creation of a new market for Kodak, providing products and services to independent photofinishers.

1957 The KODAK BROWNIE STARMATIC Cameras were introduced. These cameras eventually included seven models, and more than 10 million were sold over the next five years.

1962 The company's U.S. consolidated sales exceeded $1 billion for the first time and worldwide employment passed the 75,000 mark. ♦ John Glenn became the first American astronaut to orbit the earth, and Kodak film recorded his reactions to traveling through space at 17,400 miles per hour. ♦ Dr. Albert K. Chapman became chairman of the board of directors following the death of Thomas J. Hargrave.

From 1963 to 1970 the INSTAMATIC series is introduced, which more than 50 million were sold. the cameras featured easy-to-use cartridge-loading film, which brought amateur photography to new heights of popularity.

1965 Kodak developed the super 8 format and launched super 8 movies with new cartridge-loading KODACHROME II Film.

1975 Kodak invented the world's first digital camera. The prototype was the size of a toaster and captured black-and-white images at a resolution of 10,000 pixels (.01 megapixels).



1980 Kodak celebrated its 100th anniversary. ♦ The company announced its entry into the clinical diagnostic market with the KODAK EKTACHEM 400 Analyzer, utilizing dry-chemistry blood serum analysis.

1982 KODACOLOR VR 100 Film was introduced, using a new T-GRAIN Emulsion Technology which represented a major break-through in silver-halide emulsions.

At the height of hid mastery of the photographic market, Kodak monopolized about 90% of cameras, photographic film and paper sales by the 70s in the United States. Still in the late 90s, and despite of the competition from Fujifilm, Kodak reached the highest levels in sales and earnings in its history.

In XXI Century, Kodak failed to adapt to changes in the market and the explosion in the digital technologies development, that in less than a decade became obsolete the use of photographic films and papers that were an important percentage of the Kodak income. In the late XX century, more than 30% of world production of silver was used in the preparation of photographic materials, Kodak was still by far the largest consumer. Currently, less than 14% of silver is used in photography, but mainly in specialized applications as medical plates (in which digital technology is also displace the silver films), in art photography and film industry.

As we know, Kodak was one of the first companies to start with the digital photography, launching the copy CD as we know it nowadays. This supposed some complications on its analogic film production, so by 2004 Kodak announces its purpose of quitting its analogic APS system, so the can focused on digital photography.

Finally on January 19, 2012, Eastman Kodak filed to US law’s Chapter 11, declaring bankruptcy to obtain financing, in order to reorganize and survive the pressures of the market. This event marks the end of a story that began in 1889 when George Eastman founded the company, based on popular use cameras marketing that had a remarkable innovation: the roll of film.

In 2012-13, Kodak closed, sold or spun off parts of its consumer imaging portfolio at that time. This included:

  • The online photo site KODAK Gallery, which Kodak had acquired in 2001 as Ofoto, Inc.


  • Direct manufacturing and sales of digital capture products, including cameras, video cameras and picture frames.


  • Sales of consumer films, papers and kiosks, which were spun off and now operate independently under the name Kodak Alaris.


While today’s Kodak is mainly focused on business solutions, the company continues to manufacture films and chemicals, and participates in consumer markets through a variety of marketing and partnership agreements.


Along the history of this transcendental company, it is evident the constant innovation, improving at imaging, health, film and photography production, and many other products. It is really important to know that it has develop lots of products that have been evolving until the facilities we can get nowadays. Kodak was a pioneer in digital photography and improver of color technology, so now, you know its not all about Technicolor or another color technologies.

REFERENCES:

  • Coote, Jack, The Illustrated History of Colour Photography, Fountain Press Ltd., 1993, ISBN 0-86343-380-4
  • Harita, H. T. (2012, January 21). Kodak: La invención del rollo fotográfico y la caída de un gigante. Retrieved October 04, 2016, from https://fotorollo.wordpress.com/2012/01/21/kodak-la-invencion-del-rollo-fotografico-y-la-caida-de-un-gigante/
  • Historia de KODAK. (n.d.). Retrieved October 04, 2016, from http://tecnologia.facilisimo.com/blogs/general/historia-de-kodak_639165.html
  • Heritage | Kodak. (n.d.). Retrieved October 06, 2016, from http://www.kodak.com/ek/US/en/corp/aboutus/heritage/default.htm
  • By 1938, Distillation Products, Incorporated was manufacturing vitamin concentrates and, in 1948, Kodak bought General Mills' interest in the company. ♦ William G. Stuber became chairman of the board of directors and Frank Lovejoy succeeded him as president. (n.d.). Milestones | Kodak. Retrieved October 06, 2016, from http://www.kodak.com/corp/aboutus/heritage/milestones/default.htm
  • Photography | Kodak. (n.d.). Retrieved October 04, 2016, from http://www.kodak.com/corp/aboutus/heritage/photography/default.htm
  • Fotografía en color. (2016, October 01). Retrieved October 04, 2016, from https://es.wikipedia.org/wiki/Fotografía_en_color